graveldope stuff. awesome to still see you posting photos on here as you were one of the first photographers i remember seeing regularly when i started up on newschoolers. especially cool to see these days as i have transitioned to shooting 99% film so i relate a lot more. the intrepid looks awesome. i just bought a toyo view 4x5 in december and have used it a couple times. shot Ilford FP4+ in february that came out well. shot some FP4+ and some Portra 160 this last month that got botched by the developer or maybe could have been me? i'll post them up when i clean up the scans a bit.
why leave the film border? i feel like it is a kitschy aesthetic to leave the film edges in digital scans. no disrespect, i just really like the photos and wish that i wasn't distracted by the film edges when i looked at them. just my personal take that photography is about the image itself so it is detracting to put anything more than only the image. would love to hear a counter though.
that fuji 160ns is awesome i would love to try that sometime, looks similar to ektar 100 abit in how wide the dynamic range seems to be.
Sick dude, yeah its almost kinda sad that my digital camera only gets used when I need to scan film...
The intrepid is absolutely awesome, and I am actually really frustrated I dont have it here with me. Its currently in storage with at least 70 sheets of film in the freezer. Hoping to make a trip back to the states to pick it up later this summer or something.
I leave the border on just for digital organizational purposes really.. Don't really feel like going back in and cropping it out just for NS. These are by no means the final image, as that happens with the darkroom print for me. I tend not to bother with digital printing and I just take my stuff into a lab here and get RA4 prints for color or I set up the darkroom and smash out some monochrome collections.
160NS is a really nice film. Its actually more like Portra 160, but it favours blues and greens and runs a touch cooler. I feel it's better for forests and cloudy days rather than the pastely tones of Portra that or the vibrant red/cyan of Ektar that both kill it in the American southwest and mid-day blue skies.
The fuji stuff doesnt seem to do as well in America where the tastes and the skin tones favour warmer tones, but here in the far east, the Fuji Pro stuff works magic with the asian skin tones and the rainforest type vegetation. Its a shame 400H is going out, as I really like that film out here.