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On the nike jump shots you boosted clarity and saturation too high. It's evident with that halo that is formed around the edges of the jump being darker than the actual sky.
on the ones that are like SUPPER noisy and b&w i made them noisy on purpose, not photoshop it somuch its like that, i did that bc i thought it looked kinda cool and alot of other people have too
I dont have it, i shoot in a raw. file so i dont keep the origanals, also i edit in lightroom and you litlarry cant put that much grin into a picture with out doing it on purpose so please stop saying that i way overedited them
I wasnt complaining i just dont get why people still tink there overedited when there not, i did it on purpose like theres a grain slider and i made it look more grainy.
i still dont like the processing, but that's not the biggest issue IMO
Your compositions are not very good. The main things i see that can be changed are context and peak action/faces.
In some of the rail shots you get a good feel of the context, but in the jump shots I want to see more of the story of the jump; how big is it? where is the rider coming from? where is he going?
The angles/comps don't lend to capturing the riders face. As a compositional "rule" (I use that loosely, because of course all photography "rules" are meant to be broken) you always want to try and capture the subjects face. It will connect the viewer to the image, the action, and create a stronger image.