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KilaTsunami
October, 2024

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What is your DREAM camera set up?!?!

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ZachMcCarthy1
Posts: 469 - Karma: 432
If you had alll the money in the world what camera setup would you get?
Sep 12 2011 2:56PM
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Balto
Posts: 25985 - Karma: 4,404
leica m9 and a nocti 50 f0.95. I would never need another camera for the rest of my life
Sep 12 2011 3:18PM
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Aenigma
Posts: 11256 - Karma: 424
I already have my dream camera (Toyo 45 GII), now all I need is a few grand for the Rodenstock lenses I want.
Sep 12 2011 3:30PM
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lukewalnuts
Posts: 2730 - Karma: 152
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Sep 12 2011 3:35PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
you need like 54gs for that thing good luck
Sep 12 2011 3:38PM
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finchski
Posts: 470 - Karma: 621
aperantly you didnt read the OP "If you had alll the money in the world what camera setup would you get?"
Sep 12 2011 3:39PM
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Brentizzle
Posts: 1584 - Karma: 1,871
this. it would hit the spot
Sep 12 2011 3:55PM
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lukewalnuts
Posts: 2730 - Karma: 152
.
Sep 12 2011 4:04PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
no I know haha I'm just saying its expensive
Sep 12 2011 4:14PM
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lukewalnuts
Posts: 2730 - Karma: 152
well ya lol

it's my dream set-up so ya it's not like I'll ever get it
Sep 12 2011 4:18PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
itd be awesome to have haha
Sep 12 2011 4:24PM
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1337
Posts: 31054 - Karma: 29,240
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arri 235
Sep 12 2011 4:41PM
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eheath
Posts: 61603 - Karma: 123,089
Red Epic
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Red primes and zooms
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Phantom Flex
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Cineflex V14
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AKA brain farms current setup (minus the alexas).


More realistic dream setup
Sony F3
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Zeiss Ultra Primes
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Zeiss LightWeightZoom
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or Zeiss master zoom
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Both are ridiculously expensive, but the second setup is about 1/10 the price.
Sep 12 2011 4:42PM
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Downtofilm
Posts: 6896 - Karma: 20,395
this.
Sep 12 2011 4:46PM
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SkiThe603
Posts: 5376 - Karma: 498
yea i want that
Sep 12 2011 5:07PM
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Brentizzle
Posts: 1584 - Karma: 1,871
ew.
Sep 12 2011 6:19PM
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Jeff_Lo
Posts: 5809 - Karma: 263
I hope your kidding...
Sep 12 2011 6:30PM
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Brentizzle
Posts: 1584 - Karma: 1,871
compared to other possibilities, im not kidding.
Sep 12 2011 6:38PM
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1337
Posts: 31054 - Karma: 29,240
alright, post these "other possibilities"
Sep 12 2011 6:40PM
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Brentizzle
Posts: 1584 - Karma: 1,871
shits been posted already. im not going to go any further. I shouldn't be critiquing you on your personal dream setup.
Sep 12 2011 6:42PM
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1337
Posts: 31054 - Karma: 29,240
HAHAHAHAHAHAHAHAHHAHAHAHAHAHHAHAHAHHAHAHAHAHA DIGITAL, OVER 35MM!??!?!?!!
Sep 12 2011 6:45PM
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Jeff_Lo
Posts: 5809 - Karma: 263
you should bury your head in the Sand...you might see things more clearly this way. 



Sep 12 2011 6:45PM
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Jeff_Lo
Posts: 5809 - Karma: 263
Exactly nothing will ever beable to totally duplicate film.  It's totally unique.  You can always say files are "RAW" but they're still compressed in there own format whether it's ArriRAW, 444, REDCODE....etc

While film clearly will fade away at some point, there is just something unique and incredible about working with film.
Sep 12 2011 6:47PM
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eheath
Posts: 61603 - Karma: 123,089
it all depends on the situation, id rather work with a red epic than 35mm film. Of course, working with film in the right situation would be amazing but as i am now, i want digital.
Sep 12 2011 6:52PM
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1337
Posts: 31054 - Karma: 29,240
I see what you're saying, and if I was working as a one man band i'd want to work with digital too. But with an unlimited budget, having a crew to do most of the grunt work, i'd definitely choose film
Sep 12 2011 7:02PM
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Brentizzle
Posts: 1584 - Karma: 1,871
so now it sounds like you dissing my opinion? I just said i shouldnt judge you for wanting to work with film and now you make this comment that implies that film is better than all the possibilities of digital cinematography. personally i would choose many other setups beforehand. PERSONALLY. not for you. for me.
Sep 12 2011 7:04PM
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Jeff_Lo
Posts: 5809 - Karma: 263
You dissed his opinion first. 


incase you forgot      "ew"


Film isn't the easiest medium.  That is clear.  It's expensive and timely.  But it is beautiful.  We'd all love an Epic, but this thread is labled...."Dream Camera"  which I'm assuming in the perfect scenario that is what he'd want to shoot.  I don't blame him.  I'd probably pick an Arri S35 camera in my dream scenario as well.   But with my current workflow... It would now doubt be an Epic, and I'm getting closer :)
Sep 12 2011 7:20PM
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Troy.
Posts: 5070 - Karma: 12,549
Epic and a Phantom. And then a computer to handle it.
Sep 12 2011 7:40PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
same but id add a crane, stablizer chest mounted type of  thing, tripod, a bunch of lenses, a seperate mic, lighting, a copter to get thoes nice arial views, and random other shit i could find plus its aways good to have a dslr so canon 5d mrk ll
Sep 12 2011 8:13PM
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michelle
Posts: 6290 - Karma: 428
I already have my dream set up, but if I could add just a few more it would be these, especially the Contax.

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Sep 12 2011 8:27PM
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NJurkiewicz
Posts: 1597 - Karma: 697
If I had all the money in the world for a camera I would call up sony,canon, or red and tell them to research the ultimate camera for trillions of dollars and just for me haha
Sep 12 2011 9:05PM
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B1kessk1s
Posts: 953 - Karma: 691
i love the word: trillions !!!!!
Sep 12 2011 9:14PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
whats sooo incredibly good about thoes?
Sep 12 2011 9:28PM
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EC-Skier
Posts: 3899 - Karma: 668
thread
Sep 12 2011 9:51PM
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michelle
Posts: 6290 - Karma: 428
The Contax is just all around amazing. For one thing, it shoots one of my favorite formats, 645. It uses all Zeiss glass. It's pretty lightweight considering it's size and construction (has some carbon fiber). You can switch from 120 to 220 film with just a pressure plate, no need for multiple backs just for sizes. It has a meter. It has autofocus. It also has a vacuum system which maximizes sharpness because it keeps the film flat.

And I think the Hasselblad XPan would be fun to mess around with.
Sep 12 2011 11:03PM
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Ben.
Posts: 21463 - Karma: 683
m4 and a noctilux. and 1000000 feet of the old portra vc before they changed it.
Sep 12 2011 11:08PM
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WillStart
Posts: 3955 - Karma: 3,192
'realistic' dream setup would be evan's dream F3 setup + this one to play around with:

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Sep 12 2011 11:14PM
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ZachMcCarthy1
Posts: 469 - Karma: 432
whats so good about that?
Sep 13 2011 2:36PM
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WillStart
Posts: 3955 - Karma: 3,192
720p at 720fps

1024p at 500fps

up to 20,000 fps at lower resolutions



it's no phantom, but it would be pretty fun to shoot with I think. it's also like 1/10 the cost
Sep 13 2011 2:46PM
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andstuff
Posts: 1118 - Karma: 61
Arri Alexa with Zeiss Ultraprimes.
Sep 13 2011 3:53PM
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TomasAa
Posts: 585 - Karma: 699
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Not shure what lens setup I would have. I have only worked with Cooke 16 and 35mm lenses (shooting film)
Sep 13 2011 4:18PM
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The_Lord_of_Love
Posts: 251 - Karma: 11
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and of course to carry all of it
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Sep 13 2011 4:35PM
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TijmenDal
Posts: 4849 - Karma: 1,295
First I was like LOL.









Then I was like:
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Sep 13 2011 4:45PM
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nickfallon
Posts: 60 - Karma: 15
lol
Sep 13 2011 5:21PM
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.spaghetticat.
Posts: 4283 - Karma: 890
omg
Sep 13 2011 5:27PM
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blatt
Posts: 5584 - Karma: 3,097
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The other posts aren't too bad either....
Sep 13 2011 5:36PM
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Obie.
Posts: 1741 - Karma: 3,646
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(not the best picture), Hasselblad 500 C/M
w/ 80mm 2.8 & 150mm f/4 along with 120 & 220 film backs etc.

Sep 13 2011 7:48PM
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blatt
Posts: 5584 - Karma: 3,097
that would be the scarlet
Sep 13 2011 8:05PM
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eheath
Posts: 61603 - Karma: 123,089
lol no its the epic. the scarlet has a fixed lens
Sep 13 2011 8:27PM
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WillStart
Posts: 3955 - Karma: 3,192
actually it is the epic, believe it or not. it's small as fuck
Sep 13 2011 8:28PM
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Ftacnik
Posts: 1997 - Karma: 111
Canon
1DS3
5DII
5D Classic
24L
35L
45L TSE
50L
85L
135L

And a Fuji X100 for everyday shooting.

Too bad I have a friend that already owns all of that^


Sep 13 2011 8:37PM
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