It looks like you are using an ad blocker. That's okay. Who doesn't? But without advertising revenue, we can't keep making this site awesome. Click the link below for instructions on disabling adblock.
Welcome to the Newschoolers forums! You may read the forums as a guest, however you must be a registered member to post.
Register to become a member today!
Well almost. I just about completed my DSLR rig. I need 2 more arms, 1 for my light and 1 for my H1 recorder. I also ordered a larger strap for my lens for I can put my camera on a slider plate for the follow focus. The shoulder rig was ordered from ebay from a seller called Gini, his website is gini1.com but he has great cheap rigs. The matte box is from DV City. The focus is from ebay as well, called "RJ Follow Focus." What do you guys think?
and if the front of the lens moves when you zoom or focus, its not exactly compatible with a matte box cause you would have to undo the matte box every time you wanted to reframe/refocus.
sort of unrelated, but what standard zooms have internal zoom and focusing for a matte box? obviously the 70-200s do, but im pretty sure the 24-70 doesnt
yea, i guess your right. He also said that he was waiting for a new lens, and that the rig wasnt exactly complete. which should have answered the questions
what kind of stuff do you shoot that you need a huge rig like that? and someone please explain to me why matte boxes are necessary for anything outside a legit film production?
However certain parts definitely serve a function. Grip handles are great when you are taking a camera off and on a tripod 100+ times a day, FF is necessary for pulling focus with a telephoto, and a rail system is the "heart" that holds it all together. I personally don't see the point in huge shoulder rigs, or matte boxes for for DSLRs. A shoulder brace does practically the same thing, and Lee makes awesome 4x4 filter holders that take up much less space.
I hate this shit about lenses.. Who cares..if it's what he has and it works for him, that's great! I've seen awesome stuff shot with a "shitty" kit lens and shitty stuff shot with an awesome lens.
Please, please, please drop the shitty lens talk. Its not the lens, its the operator.
It's not just the fact that his lens is bad, it's the fact that he spent all the money to buy a matte box (which, as we all know, is only used to look legit for 99% of DSLR users) instead of a nice lens.
It kind of makes it look like his priorities are much more focused on spending money on superfluous additions to look legit instead of things that are actually useful. People can say what they want about matte boxes blocking lens flare and being used for 4x4 filters, but they're unnecessary for the vast majority of people.
Whether that's true, I have no idea, and I mean no hate by it. I'm just saying that's the impression it gives.
Completely Understandable. I just don't understand how it's a "bad" lens.
A bad lens in my opinion is something you can't see out of. The optics may not be as clear as an L lens or other lenses, but most kit lenses provide a very clear picture for the price!
Don't get me wrong, if you have the money, go for something better, however, filmers can shoot great stuff with a kit lens in the right situations. I do like the follow focus though. Probably going to pick one up for my Gh1. Unless I sell me hmc40 and purchase an af100.
Lens IQ is fairly subjective, however it is pretty easy to grasp what a bad lens is. Soft focus, chromatic aberration, barrel distortion, slowness, poor housing, short throw, sticky focus ring, etc. are all characteristics of a "bad lens." I'm sorry but just because you're happy filming with a webcam doesn't invalidate the concern for quality glass.
Having said that, people aren't bitching because he spent more money on superfluous features than what really matters (lenses). They were simply commenting on how a matte box doesn't work when the end of the lens barrel shifts when zooming, which is what occurs on a kit lens.
I thought the barrel moving in and out would be bad with the box, but its really not a big deal. On Wednesday, I should be receiving my larger gear so I can use my slider plate. So when I zoom, I just release the plate and slide it accordingly.
As for the matte box being pointless... I do shoot outdoor which helps for flare. Can I have made my own DIY one? Sure. Did I really feel like it? Not really.
not necessarily. maybe with that particular matte box, but they make matte boxes with what they call a "donut hole" and basically it's sort of like a flexible band with a cloth that goes around the lens so when you zoom in and out, the tension allows the cloth to expand and contrast so you can zoom without any issues of hitting the matte box itself/letting light in. I work at sort of a rental house, and I spent weeks finding one that would work with our AGAF-100 and the 7-14.