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M&A stoke

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SSteezle
Posts: 9297 - Karma: 7,732
This thread's to share what you're most stoked about in the photo/film world. I know people are busy and have a lot of ideas that they want to pursue, and just haven't quite had the time yet to make it happen. Hopefully posting some things you want to film will help you to create some time to get it done.

To start things off--

- I just got back in touch with a friend that four wheels and is so sick at it. I already have a perfect song picked out and have been picturing the shots I'll get for the last day. Can't wait to start filming.

- Finally picked up a sandisk extreme pro 32gb 95mb/s SD card for my t2i and no longer have to worry about "filming has stopped automatically", makes me feel so much more confident when filming important things

- Just purchased a 3tb hard drive, so all my shits backed up!

share your giddyness
Jun 27 2012 9:15AM
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plorr
Posts: 3131 - Karma: 528
Just got 500ft of anamorphic 16mm footage back. Theres some weird vignetting in some shots from my afro-engineered lens holder, but other than that the footage looks better than expected.

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Jan 24 2014 8:38PM
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84891jnf92048
Posts: 11552 - Karma: 2,550
i finally made a vx edit!

Interlace from Charlie Dayton on Vimeo.

Jan 25 2014 2:32PM
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Laurent.
Posts: 10056 - Karma: 25,313
I was just cleaning my room when suddenly I came across the focussing screen that fell out of my Minolta X300 roughly 4 months ago.

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Jan 31 2014 11:36AM
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Aenigma
Posts: 11256 - Karma: 424
The 645 really isn't worth it at all. You get a bigger body, and negatives that really aren't that much larger than 35mm. The image quality you get from 6x7 absolutely blows away 645 to the point where it's hardly worth considering.

As far as large format goes, be wary of anything with a rangefinder (I assume you are looking at something like a Graflex?). The depth of field you get with 4x5 is so shallow that you need to stop down considerably in order to make a reasonable guess at your focus...not to mention that with a negative that big and expensive, it's worth taking a little more time on each shot. If I remember correctly off the top of my head, f/5.6 on a 4x5 is about the same as f/1.4 on 35mm, at a comparable focal length.
Jan 31 2014 12:55PM
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DrZoidberg
Posts: 5675 - Karma: 4,268
Did you have IS on while filming with the fish, resulting in shaky vig?
Jan 31 2014 1:30PM
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Jacuse
Posts: 1792 - Karma: 1,549
Just got a Sachtler Ace M for $350 off eBay
Feb 1 2014 9:26PM
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plorr
Posts: 3131 - Karma: 528
Stoke: My professor let me borrow his mamiya 6 for the weekend and I had an awesome time shooting 6 rolls around Boston today.

Anti-Stoke: Development tank leaked and 5 out of 6 rolls got ruined.
Feb 1 2014 11:35PM
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zahava
Posts: 7791 - Karma: 12,039
:(
Feb 2 2014 3:43AM
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Laurent.
Posts: 10056 - Karma: 25,313
Who on NS has nearly three hundred K to burn? Click for larger image http://www.ebay.com/itm/Leitz-Canada-f-Leica-R-5-600-mm-Apo-Telyt-Prototype-Unicum-lens-/370988884183?pt=LH_DefaultDomain_0&hash=item5660a920d7
Feb 2 2014 8:03AM
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steezysteeze
Posts: 1739 - Karma: 1,012
Dat 0.77 vf magnification tho. Probably going to be my next camera along with the 14mm 23mm and 56mm lenses. Just wish it had a touch screen for tap to focus...
Feb 2 2014 11:03AM
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Laurent.
Posts: 10056 - Karma: 25,313
The monthly, "look wat I found at the thrift shop" post.

Some Minolta's, uv filters and a Ricoh with motor drive for a tenner:


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And now for the pièce de résistance:


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I haggled it down to 50 cents.

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Feb 3 2014 10:32AM
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cydwhit
Posts: 5070 - Karma: 43,008
Got my first roll of film developed ever, and much to my surprise the shots turned out. Nothing great but so much better then I expected, Now I am so stoked to go out and shoot more.

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Feb 3 2014 9:10PM
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erikK
Posts: 3245 - Karma: 2,328
if that fence, the orange and black pole, and the yellow padding weren't there this shot would be so sick man
Feb 3 2014 9:14PM
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cydwhit
Posts: 5070 - Karma: 43,008
True, easy fix though
Feb 3 2014 9:39PM
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TijmenDal
Posts: 4849 - Karma: 1,295
Screw you Laurence. I want to know your secret thrift-shop...
Feb 4 2014 5:58AM
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84891jnf92048
Posts: 11552 - Karma: 2,550
yeah I accidentally forgot to turn steadyshot off for one run after filming long lens. I did the same thing the other day, but this time I just cropped the footage so you don't see the vignette. I'll toss it up here later.
Feb 4 2014 11:49AM
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zahava
Posts: 7791 - Karma: 12,039
Shot and processed some 4x5 Tri-X negs tonight; 4/6 came out perfect, one was crooked and the other I knew would be blank as I didn't load it properly. The MOD54 worked like a charm, no issues with loading. I'll play around with my dev times though, not a lot of consistent charts for 4x5 tank dev...
Feb 4 2014 11:38PM
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Aenigma
Posts: 11256 - Karma: 424
Something like that should give you pretty consistent developing...I always used a Jobo, and that thing rocked.

As far as developing goes, charts are more of a guideline than an exact science. Make sure to mix your chemicals the same and develop at the same temperature with the same amount of agitation every single time, and after a while you'll figure out exactly what your times need to be--given you're exposing your negatives consistently, as well. Working with 4x5 film rewards the perfectionist, and yields far better results than you could ever dream to get with 35mm or even medium format, any day.
Feb 4 2014 11:54PM
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No.Quarter
Posts: 5257 - Karma: 16,962
I kind of got over the idea of needing to have as many frames per roll when I get into MF. So now I am looking at the 67 or any other 6x6 or larger camera. Quality over quantity right.

When you are talking image quality are you speaking in terms of scans or in terms of prints. I wont be seriously into the darkroom for probably 5-10 more years so scanning is really the best option for now and I plan to get a dedicated 35mm scanner. But if I started shooting medium format, I would need to a) get low quality scans from my shop, b) pay extra for high quality scans, or c)get a flatbed which from what I have heard aren't the greatest in terms of IQ especially when compared to a dedicated 35mm scanner.

Large format I will probably just get whatever field camera setup I can find for the cheapest. I just thought the rangefinder on the LF cam I was playing with was kind of neat because I could almost shoot it handheld.

~~~~~~~

Went out on a walk the other day with this setup, boy am I happy with my gear setup, but I seriously need to get a backpack because the shitty shoulder bag I have got so heavy after an hour or two.
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Feb 5 2014 1:36AM
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Aenigma
Posts: 11256 - Karma: 424
The Pentax 67 or Mamiya RZ would be where I would start looking for 67 (I have the RZ), or check out the Hassy 501/503 etc for 6x6, although there are a ton of really great options for both out there.

A bigger negative will give you better scans and better prints, just because there is much more information to be had. The difference is immediately apparent in the darkroom because that process doesn't have all the variability you can get with digital--choose your format, choose your iso, and choose your enlargement, and that dictates the quality of your print.

If you're seriously getting into film, it will definitely be worthwhile to get your own scanner. I'm not super up-to-date with what's great out there right now, but I have an Epson v700 and it works well. In the past, I've made prints up to 24" off of scans from it and they've looked good. Scanners are kind of a big investment to make right off the bat, but if you take into consideration how much it costs to get a decent scan somewhere else, and then think of how often you'll be shooting film, you should be able to figure out if it's worthwhile.

Once you start shooting 4x5, you'll quickly realize it's not a good format at all for hand-held shooting. The rangefinders you see on old cameras are from way back when they were used as press cameras, so if you see that, it's an old camera. For a starter camera, I'd just find something like a Graflex Speed Graphic, make sure the body and bellows don't have any light leaks, and get a lens somewhere in the 150-210mm range. Once you figure out the ins and outs of shooting with it, you'll never look back--nothing can replicate the image quality of large format!
Feb 5 2014 10:36AM
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Balto
Posts: 25985 - Karma: 4,404
RZ is great bang for your buck, lenses are almost to perfect, a lot of people don't like them for b&w, of course this is personal preference. They render color amazingly and the microcontrast and fine detail sharpness is second to none. With the interchangeable backs you can make it 66 or 645 which is nice, also 220 for double the shots if you needed it. Built in bellows means minimum focus distance is like 5" if I remember correctly. Definitely miss mine and plan to get another at some point, they are just really big and a PITA to lug around. The pentax is smaller, but is not completely modular like the rz and I personally don't really like the rendering of the lenses other than the 105mm. If you don't need fast lenses and want something actually sane to carry around, the Mamiya 7 or 7ii are great, one of the best travel cameras ever. The 43mm is a 10 element better version of the hassy SCW lens. Only downside is they are very plastic feeling. Mine fell out of the car due to package shifting while driving to montana this summer and it was fine save for a scuff on the lens hood. Great camera, I'm just very partial to ze germans
Feb 5 2014 11:06AM
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erikK
Posts: 3245 - Karma: 2,328
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Feb 6 2014 12:40PM
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Mag
Posts: 8155 - Karma: 14,809
^shit... that's pretty cool, any idea what frame rate it does it at? presumably 24/30?

also talking of behemoth add ons

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Feb 6 2014 12:44PM
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Balto
Posts: 25985 - Karma: 4,404
cool now gh3 prices will fall more and I'll buy one for video
Feb 6 2014 1:36PM
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84891jnf92048
Posts: 11552 - Karma: 2,550
I feel like a bit of an outcast posting SD video with all you nerds talking about all your high-end photo gear, but hey, it's still media.

I've been having a ton of fun filming VX and learning how to play with settings and get better angles. I don't think any of what I've made so far is actually any good, but damn is it fun. Here's my newest and weirdest mini-edit:

Launch from Charlie Dayton on Vimeo.



(Also, nerds is a term of endearment. I envy most of what you all post here, from gear to photos.)
Feb 9 2014 10:35PM
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SeanTom
Posts: 7936 - Karma: 1,747
that was fat chive.

it needs more p∆l∆ce and pizza but so far i'm digging em
Feb 9 2014 11:44PM
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mrbillgates
Posts: 153 - Karma: 303
I really want to learn how to film a hyper lapse…if anyone has ANY experience on the subject please PM me…YouTube tutorials only get you so far. I just think the way they look is so epic…so if you can help, please do!
Feb 9 2014 11:52PM
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gravel
Posts: 5518 - Karma: 42,202
The concept and method is really easy but you need practice to get good at them. Put your camera on a tripod, think about how far you want to move, and divide that distance in feet by 300 (300 frames gives you a 10 second clip, which is really flexible when you edit). Use that as the distance you move between pictures. When you have found your spot to shoot on, make sure that you move linearly, try not to move outside of that line or you will get more warping. In your viewfinder, align one of the little square reticle things with a subject. Each time you move the camera, make sure that that reticle lies on the same subject. Try to get in a pace where you take the pictures at even intervals. In post, use AE warp stabilizer to smoothen the clip.

Feb 10 2014 12:00AM
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plorr
Posts: 3131 - Karma: 528
Rode mic, NF-M43 Speed booster, 20 rolls of acros, 20 rolls of tri-x. Voigtlander 58 f1.4 on the way. Thanks IRS.

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Feb 13 2014 12:12PM
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lIllI
Posts: 1255 - Karma: 1,986
Transitively, GH2 prices will fall and I can start shooting multi-cam on the reg.
Feb 13 2014 3:55PM
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loganimlach
Posts: 5132 - Karma: 14,054
Anti-stoke - see you later camera pack, 7d, 70-200, 10-20, Helios, GoPro, 1 tb hard drive, passport, taxes, and other random odds and ends like chords, chargers, headphones, etc. Never leave your car unlocked no matter how long you're planning on getting out.
Feb 19 2014 10:03AM
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plorr
Posts: 3131 - Karma: 528
Fuck that man. I would likely go on a homicidal rampage if my whole camera bag got stolen.
Feb 19 2014 10:39AM
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Downtofilm
Posts: 6896 - Karma: 20,395
Dude! No way, that sucks bro!
Feb 19 2014 7:55PM
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No.Quarter
Posts: 5257 - Karma: 16,962
What. The. Fuck
Feb 26 2014 11:25PM
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Childstar.
Posts: 1947 - Karma: 2,212
Ordered a bunch of goodies, will post pictures when the goodies arrive!
Feb 27 2014 12:13AM
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PacificRimJob
Posts: 24725 - Karma: 29,944
Ruuuugged. I've had my stuff like that jacked too, so I understand the feels.

Brutal as all hell.
Feb 27 2014 3:02AM
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plorr
Posts: 3131 - Karma: 528
One of my favorite photographers is giving a talk and showing some work at my school next month. Brian Ulrich - http://notifbutwhen.com/

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He, my photo professor and I are going to meet for lunch and talk about his process and such too. I'm really excited to pick his brain and see his work in a gallery setting.
Feb 27 2014 10:40AM
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JuliusJ
Posts: 3778 - Karma: 2,106
^at first I thought sorta meh, but kept going and he has some awesome stuff! His sets as a whole are cool.
Feb 27 2014 10:48AM
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plorr
Posts: 3131 - Karma: 528
Copia is an incredibly impressive project. I think the topic of "patriotic shopping' and "consumer intoxication" is so perfect for a street photography project. And color street photography inside department stores with a medium format SLR is super impressive. Guys got some serious photo balls. He's the biggest reason why I shoot medium format for street. The fact that he captures candid moments like that with PERFECT image quality is really compelling.
Feb 27 2014 11:31AM
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TijmenDal
Posts: 4849 - Karma: 1,295
Stoked that I'm finally photographing again. I was in a MAJOR photographic rut and didn't seem to really be trying anymore. Went out to shoot yesterday and today (when it was just pouring) and I know I got some good shots. Definitely stoked.

Also: meeting Eric Kim on Sunday. Not an idol of mine, but pretty cool I guess and on top of that I'll probably meet some local streettogs.
Feb 27 2014 4:33PM
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TijmenDal
Posts: 4849 - Karma: 1,295
GREAT body of work. Really loved that and thanks for posting that. Indeed pretty ballsy to be doing that. Whatever the camera, the mirror-slap with a medium format SLR is quite loud. I've done a lot of street photograhy with my OM-1's and I really don't mind when people notice me, because it's out on the streets. Inside, like in a shop, it's much more personal I think. Really inspring though.
Just today I was thinking that shopping centres/shops etc make a perfect scenery for photography. Especially the cheaper ones like Lidl and Aldi are great; stoic, colorful and so 'rigid' in a way.
Feb 27 2014 4:39PM
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Laurent.
Posts: 10056 - Karma: 25,313
I've been kicked out of the bloody Aldi for taking a few pictures.
Feb 27 2014 4:48PM
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lIllI
Posts: 1255 - Karma: 1,986
Terrifyingly beautiful. That gas station one especially.
Feb 27 2014 5:01PM
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1337
Posts: 31054 - Karma: 29,232
Really stoked to be working for NS as a Photo Content Manager and helping run the NS photographer program!

Check out the news article about it, i'm sure some of you guys are interested and could definitely be a part of it:
https://www.newschoolers.com/readnews/44673.0/The-NS-Photographer-Program
Feb 27 2014 5:12PM
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RockNRollNghtClb
Posts: 2013 - Karma: 2,509
what is a speed booster?
Feb 27 2014 6:17PM
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Laurent.
Posts: 10056 - Karma: 25,313
It makes your camera run as fast as a Kenian.


Or a device that when mounted between a mirrorless camera and a SLR lens, increases maximum aperture by 1 stop (hence its name), increases MTF and makes lens wider by a factor of 0.71x.
Feb 27 2014 6:39PM
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rlee
Posts: 593 - Karma: 1,144
Pretty stoked my Japan ski edit just got chosen by GoPro as their video of the day. That was a nice little surprise to wake up too!

Mar 1 2014 7:55AM
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PacificRimJob
Posts: 24725 - Karma: 29,944
It's official. I've gone Nikon. Selling off my Canon stuff soon.

85 f1.8D + Tokina 20-35 f3.5-4.5 purchased to go with the D610. Basically all I'll need to get my feet wet, here.
Mar 3 2014 6:30PM
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jeano
Posts: 333 - Karma: 104
d4s ughhhh i want
Mar 4 2014 6:40PM
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Balto
Posts: 25985 - Karma: 4,404
Picking up a 35mm summicron asph(current version) tomorrow morning for a steal, very stoked.
Mar 4 2014 9:49PM
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